take care
Co-funded by the
Creative Europe Programme
of the European Union
Creative Europe Programme
of the European Union
is a European cooperation project on hope. The hope we’re interested in is about ‘broad perspectives with specific possibilities, ones that invite or demand that we act’.
Appel d’air is a participatory and environmental work by the artist Thierry Boutonnier. It will accompany the construction of the Grand Paris Express until 2030. Local inhabitants take part in this artistic and civic project. Indeed, they adopt 68 trees that will grow in an urban nursery, under the watchful eye of a nomadic nurseryman.
RESSOURCE 0 dives into a new field, at the crossroads of culture and ecology, both in France and internationally. Its objective is to question and respond to environmental issues, by integrating the aesthetic, creative, relational, sensitive and imaginative dimensions specific to art. RESSOURCE 0 defends a collaborative multi-stakeholder approach, in which solutions emanate from different exchanges and sensitivities.
The Festival VIVANT is a cultural manifest aimed at drawing public attention to Biodiversity. Initially scheduled for the summer 2020, within the sope of the 2020 IUCN Congress on World Conservation. Due to the coronavirus pandemic, the IUCN Congress was postponed to January 2021.
New Theatre Institute of Latvia produces this series of residencies. Indeed, NTIL invited three artists from the Baltic region to explore themes related to climate, social and economic justice and change. Their new artworks will be visible at Homo Novus festival in 2021 and 2022.
At the end of the year, the New Theatre Institute of Latvia and the Chilean interdisciplinary collective MIL M2 invite to have a look at the digital booklet of mobile urban performance “Question Project” that took place during this year’s international festival of contemporary theatre Homo Novus and invited Rigans to pose a question to their city, their neighbour, the future and themselves.
The work of the artist Gabriela Albergaria focuses on understanding the acculturation of landscape and nature, through the migratory processes and globalization from the fifteenth century onward. The artist uses multiple typologies, such as: sculpture, installation, works for public space, drawing and photography. This exhibition provides an overview of her activity over the last 15 years.
In just a few decades, the forest has become both symbol and focal point of the greed, environmental disasters and struggles that are shaking up the contemporary world in crisis. Thirteen million hectares of forests disappear every year, due to increasing agriculture, overgrazing, logging, and urbanization. COAL has an open call for artistic projects working the theme of FORESTS (until 1st March).
Will we change human behaviour if we transform our idea of “energy”? 2021 marks the 35th anniversary of the nuclear disaster of Chernobyl, which took place on 26 April 1986. Considering the event from a philosophical perspective, we will look at the profound connection between different ways of obtaining energy. The catastrophe of our century not only lies in other nuclear disasters, but also in our continued adherence to a destructive structure for the production of energy, which is threatening to bring an end to various forms of life on the planet.
Building on Oh God, Not Another One!?, Selina’s ongoing artistic investigation of democratic participation and the politics beyond representation, Immersion will explore strategies for pleasure, care and well-being in climate activism.
Immersion is one of the commissions for Season for Change, a UK-wide programme of arts activity focused on a step-change in climate awareness, activism and justice, delivered in partnership by Julie’s Bicycle and ArtsAdmin.
Faced with the ever more real prospect of an uninhabitable planet, it is urgent to imagine a closer, more inclusive and more generous relationship with nature and the non-human aspects of life. Inspired by a series of eco-feminist proposals, the historian Teresa Castro suggests that images and the cinema can help us to expand the limits of our attention, thus laying the foundations for an ecological reason.
